foundationmods (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
foundationmods) wrote2019-04-07 06:44 pm
foundationmods) wrote2019-04-07 06:44 pm
Entry tags:
Dreamland (round 3)
[A strange house of some sort sits in the pitch black nothingness that exists around it. For those just now wandering in, they will be drawn to the building, finding it lit up in a way that it should not be. It's as if the whole area- house, yard, fence, and giant sakura tree- all give off their own light, and the newly-arrived are drawn to it like a moth to the flame.
Inside the boundary of the yard, the familiar faces of those who have passed on already will greet them. Depending on who is asked, they might give an accurate explanation. But even if they don't, one thing is clear: you don't want to leave this place. The area outside feels Dangerous, and it is probably best to stay put.
Fortunately, the house is built in an old style, and there are many rooms to explore. One room on the second floor seems locked, but the rest are open to explore as desired. The standard rooms are easy to find: kitchen, a W.C. and a bathroom, a sitting room of some sort, and a couple bedrooms (with plenty of futons for the dead to use). There are also several tatami mat rooms with nothing in them currently, but it seems like there might be some use for those rooms.
Around the house, perches for birds can be found. No birds are on them currently, though.
Sometimes Watanuki can be found in the house, but most of the time the dead will be left to their own devices. The question is, what will they do here?]
Inside the boundary of the yard, the familiar faces of those who have passed on already will greet them. Depending on who is asked, they might give an accurate explanation. But even if they don't, one thing is clear: you don't want to leave this place. The area outside feels Dangerous, and it is probably best to stay put.
Fortunately, the house is built in an old style, and there are many rooms to explore. One room on the second floor seems locked, but the rest are open to explore as desired. The standard rooms are easy to find: kitchen, a W.C. and a bathroom, a sitting room of some sort, and a couple bedrooms (with plenty of futons for the dead to use). There are also several tatami mat rooms with nothing in them currently, but it seems like there might be some use for those rooms.
Around the house, perches for birds can be found. No birds are on them currently, though.
Sometimes Watanuki can be found in the house, but most of the time the dead will be left to their own devices. The question is, what will they do here?]
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[He hears that tone, Syaoran. Don't start with him.]
I don't think anyone will want to go back there anyway.
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[ There's at least one person that Syaoran can think of that would do just that. ]
And you should already know, Kimihiro. I don't have a home to go back to. If I can help the people in that world... and if he decides to go back to that world as well for similar reasons... I want to go with them.
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[He's. Just stating that out loud for now. They're a 'home' right?
He's also just slightly reluctant to change, sorry.]
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This, apparently. ]
I'm sure Fai-san and Kurogane-san will understand. They know that if there something that I must do in that world... then I won't turn my back on it. You should know that as well, Kimihiro.
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He might not be able to see his family ever again if that happens. I can't stay in a single world for long, after all. You know that.
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I'd be able to stay in that world longer than usual, wouldn't I?
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What price did I pay to remain at the shop longer than usual?
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Would I have to pay that same price to stay in that world?
[ He would potentially sacrificing the chance to see Sakura again by making this decision at all. Which is why he's so torn up about it.
Why are feelings so... difficult? ]
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You can think on it, you have time to consider it. But it is the reality of your situation.
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I just want you to tell her to... wait for me for a little while longer.
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You think on it, and decide what to do.
[He clearly has something on his mind, but he doesn't want to say it.]
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And when I see him again, I'll talk to him about it.
[...]
Are you worried?